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Palestinians say no to cultural monopoly

A Palestinian Foreign Ministry memo favoring the selection of one particular dance troupe for international performances has become a scandal.

Palestinian dancers perform during celebrations in front of the Church of the Nativity, the traditional birthplace of Jesus Christ, in the biblical West Bank town of Bethlehem on July 7, 2012, a week after the UN cultural body UNESCO overrode Israeli objections to urgently grant world heritage status to the ancient church.  AFP PHOTO/MUSA AL-SHAER        (Photo credit should read MUSA AL-SHAER/AFP/GettyImages)
Palestinian dancers perform during celebrations in front of the Church of the Nativity, the traditional birthplace of Jesus Christ, in Bethlehem, West Bank, July 7, 2012. — AFP PHOTO/MUSA AL-SHAER

The summer months are the high season for cultural activities in Palestine, when folkloric troupes, dabke dance groups and theater companies put on performances for large audiences. The Palestinian Tourism Ministry has a dedicated webpage promoting such artistic, musical and other cultural events.

Once summer passes, these artistic groups become focused on invitations to dance and perform in world capitals and at international festivals. Palestinian cultural institutions dream of performing in major festivals and in front of foreign and Arab audiences as well as Palestinian crowds in the diaspora. These institutions compete to represent Palestine, and they pride themselves in the number of festivals that invite them to appear.

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