Gaza theaters battle censorship, conservatism
A lack of female performers, the siege and close monitoring by the Hamas government has resulted in a dwindling Gaza theater industry.
![To match Reuters Life! PALESTINIANS-GAZA/THEATRE Palestinian artists perform at al-Shawa theatre in Gaza City March 9, 2010. Live theatre is rare in the Gaza Strip; public criticism of its Islamist rulers is rare too. So perhaps it was no surprise that a play which gives vent to Palestinians' frustrations with their leaders should be a hit. Picture taken March 9, 2010. To match Reuters Life! PALESTINIANS-GAZA/THEATRE REUTERS/Suhaib Salem (GAZA - Tags: ENTERTAINMENT POLITICS SOCIETY) - RTR2BXPS](/sites/default/files/styles/article_hero_medium/public/almpics/2014/RTR2BXPS.jpg/RTR2BXPS.jpg?h=f7822858&itok=Q2r0Cx_0)
GAZA CITY, Gaza Strip — The joy of stage performance and creativity made actress Wala Mutir, 27, smile as she greeted the crowd in the city of Khan Yunis in the southern Gaza Strip. She played the leading role in “Scenes from Christine’s Heart,” a play adapted from the play “Mourning Becomes Electra” by Eugene O’Neill.
But Mutir’s happiness is not complete. After all, she’s an actress in a conservative place: Gaza. A young man in the audience stood up and objected by saying, “We are in a society that doesn’t accept plays that incite women to reveal their feelings.”