“Dancing with the Moon” — and dictators
As Istanbul continues to pulse with protests over its jailed mayor, Ekrem Imamoglu, Marcel Dzama’s “Dancing with the Moon” lands at the Pera Museum like a dystopian wonderland.
Welcome to Al-Monitor Istanbul.
As Istanbul continues to pulse with protests over its jailed mayor, Ekrem Imamoglu, Marcel Dzama’s “Dancing with the Moon” lands at the Pera Museum like a dystopian wonderland. Elsewhere, a benefit concert blends activism and music for earthquake-hit Hatay, a restaurant serves fine dining with a side of prison history, and a novelist and a cineaste revisit the ghosts of the 2013 Gezi protests.
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Nazlan

1. Leading the week: “Dancing with the Moon” — and dictators

Marcel Dzama’s “All the youth came out to play/ain’t no one in our way.” (Courtesy of Pera Museum)
Marcel Dzama’s wild, witty and sometimes terrifying imagination lands at the Pera Museum just as the city finds itself in protest mode — a fitting stage for an artist who never shies away from political spectacle. In “Dancing with the Moon,” his first solo show in Turkey, the Canada-born, New York-based artist brings his full bag of satirical tricks: masked ballerinas, chess pieces, leering beasts, clowns and dictators.
In the section “Lords of Misrule,” one of the drawings shows Stalin in a warm embrace with a burly blond man while demons chuckle. The title? “It wasn’t his favorite director that met him at the gates of hell, but Stalin was in his top five.” In another, a figure uncannily resembling Elon Musk throws a Nazi-style salute from a podium stamped with the US presidential seal. The title is part of the painting, written in bold black letters, “Ban the bigots, not the books.”

“It wasn’t his favorite director that met him at the gates of hell, but Stalin was in his top five,” by Marcel Dzama, at the Pera Museum. (Courtesy of Nazlan Ertan)
Curated by Alistair Hicks, the exhibition sprawls across two top floors of the Pera Museum, which is marking its 20th anniversary. Dzama borrows liberally from pop culture, and it digs deep into unease — about war, authoritarianism and the strange numbness that sets in when disaster becomes routine.
Still, this is not an exhibition of despair, but of playful revolt. In the Dzama world, enameled chess pieces resemble ballerinas, and it is Delilah — not David — who slays Goliath. A collage shows a berobed Putin striding through mountains. The scrawled caption beneath it reads, “Don’t worry, this is not the prophet.”
Pera Museum Mesrutiyet Caddesi No:65
Tepebasi - Beyoglu
Dates: Until Aug. 17

2. Word on the street: Avlu

No more prison portions – Avlu at the Four Seasons Hotel at Sultanahmet combines good food with a historical setting. (Courtesy of Avlu)
Fine dining meets fierce history at Avlu, the chic, expensive courtyard restaurant inside the Four Seasons Hotel Istanbul at Sultanahmet — once Sultanahmet Jail, Istanbul’s first modern prison. Built in 1918, this somber stone building held some of Turkey’s most iconic dissidents: poet Nazim Hikmet and actor-director Yilmaz Guney — and even Billy Hayes of “Midnight Express,” who spent a night here before being transferred to another prison. Today, its seasonal, sustainable Anatolian fare, which includes lamb shank with smoked yogurt or sea bass brightened by citrus and herbs, is recognized by the Michelin Guide.

3. Istanbul diary

“Cat and its Fiancee” by Omer Uluc. (Courtesy of Pera Museum)
- “Beyond the Horizon” at Istanbul Modern invites viewers into Omer Uluc's cosmic universe, showcasing more than 300 works from the 1960s to 2010. Until Dec. 12.
- At the Pera Museum, “Much Is to Be Done” honors the late poet, photographer, translator and cultural provocateur Semih Rifat. The exhibition unfolds as a multisensory journey through his notebooks, drawings, music and films. Until August 17.
- On April 9, “Music for Generations” brings music and purpose to Babylon, with all proceeds supporting preschool education in Hatay’s earthquake-hit region. Organized by Kanto Records and Gitmesek de Gorsek — a grassroots initiative that empowers students in under-resourced schools through art — the evening pairs live sets with a student exhibition. Find tickets here.

4. Book of the week: “The Fugitive of Gezi Park”

Ada, an artist in London, is caught between two cities and two anxieties: the lingering trauma of her brief detention during the 2013 Gezi Park protests, and her upcoming trial in Istanbul. In “The Fugitive of Gezi Park,” Deniz Goran casts Istanbul and London as mirror cities reflecting Ada’s fractured sense of self.
“The Gezi Park protests were a crucial turning point in Turkey’s contemporary history. In my novel, I wished to explore their psychological impact and how Turkey’s descent into authoritarianism has affected lives,” Goran, a Turkish-British novelist and art writer, told Al-Monitor.
“The growing threat of far-right populism elsewhere in the world, including in the West, has demonstrated the fragility of our democracies,” she added. “The recent massive protests in Turkey have proven that nothing is ever set in stone; the right components for fighting for democracy can come together at any time. Yet the further a country drifts away from democracy, the thornier is its path back.”
Goran’s debut, “The Turkish Diplomat’s Daughter,” was an international bestseller. Her second novel, “The Fugitive of Gezi Park,” was released in 2023 to mark the protests’ 10th anniversary.

5. Istanbul gaze

(Charles Emir Richards Instagram)
Let’s continue with the ghost of demonstrations past. Captured by Charles Emir Richards during the 2013 Gezi Park uprising, the image shows two demonstrators kissing — a tender act amid tear gas and turmoil. Born in San Francisco in 1969 to a Turkish mother and an American father, Richards brought both documentary grit and poetic edge to his work, seen in acclaimed projects like “The Syrian Cosmonaut.” During the Gezi protests, he offered his photos to the international press free of charge, waiving royalties so the world could see what was truly unfolding.

6. By the numbers
- Istanbul is home to over 3,300 mosques, the highest number in any Turkish city, according to official statistics. The oldest is Arap Camii in Galata, originally built as a church in the eighth century and later converted into a mosque by the Ottomans — it still echoes with both Gothic arches and Islamic prayers.
- The city has 237 hamams, though only about 60 are still in operation, not counting the modernized versions in hotel spas. The oldest and largest is Tahtakale Hamamı, a 15th-century marvel where steam, stone and centuries converge.